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The present text was chosen for an annotated edition as being both good literature and good material for learning Spanish. It is hoped that the experience of those who may use the book will justify the choice. It is intended more particularly to follow the study of a reader or its equivalent; but there is no reason why it should not adapt itself to other stages of Spanish study, according as longer or shorter recitations are ased, and more or less aid given by the instructor.

The purpose of the introduction is simply to "introduce" the student to the author and his work, to convey some idea of their importance and to incite to further acquaintance with both. Nevertheless I believe that scholars will welcome the new information on the life of Sr.

The text is that of the sole Spanish edition Madrid,the new edition in the Obras Completas now in course of publication not having yet appeared. I have, however, beside correction of errata, changed two words and omitted ten to better adapt the text for class use.

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In the notes I have aimed to explain all serious difficulties. With their aid and that of grammar and dictionary the student should be able to present a correct translation.

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I have, however, by no means exhausted possibilities in annotation, believing that the reading of a text should not be a mere recitation, preferring that the interested student should have an opportunity to exercise his ability and apply the knowledge already acquired, and holding also that many explanations are better retained when given orally by the teacher to his class. I am happy to acknowledge here the generous aid of Professor W. Fraser of the University of Toronto, who examined the MS. Stanford University, California, Jan.

Note to Edition of Miss Alice P. Hubbard, of the University of Texas, kindly undertook the making of this vocabulary, from which I was prevented by pressure of other work. I have, however, revised the MS. Text and notes have also been revised and a few errors eliminated.

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Morrison and Churchman D. His mother belonged to an old family of landed gentry. His father, a lawyer by profession, was in temperament emotional, and endowed with much imagination and an extraordinary talent for story-telling; these qualities rendered his society so agreeable that he attracted the sympathies of all who approached him. Thus early the future novelist learned to know the life of sea-faring folk and also that of country people and farmers.

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At the age of twelve he began his secondary education at Oviedo, where he was under the care of a paternal uncle. This city, the capital of Asturias, is described in El Maestrante under the name of Lancia.

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Although entering fully into the pleasures of school life he was a faithful student, and soon acquired a taste for both science and literature, aided in no small degree by the stimulus of other eager youths whose acquaintance he made. His friends, however, considered at this time that he was better endowed for the former.

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At seventeen he went to Madrid to begin the study of law, to which he devoted himself with great enthusiasm. His sole ambition now was to become a professor of political economy.

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He was admitted to membership in the famous literary and scientific club El Ateneostudying deeply in its library and taking an active part in its labors. Before the end of his law course he was elected first secretary of the section of moral and political science of that association.

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In spite of his extreme youth—he was then but twenty-two years of age—the editorship of this review was entrusted to him, and he successfully fulfilled its duties for three years. Nothing as yet made the young editor imagine that he was to become a novelist. But in order to add to the interest of his publication he began to produce a series of literary portraits of orators, poets and novelists.

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It was the occasion of the author's introduction to the American public through an article by Mr. Dean Howells in Harper's Magazine. Since then Sr. In the summer of Sr. The newly wedded pair established their household in Madrid, but were not destined long to enjoy their happiness, for eighteen months after their marriage Sra. This fatal event is the most important in the life of our author. From this time on he has lived devoted to his son, reading, writing, and retired from all political and literary commotion.

Such are the biographical data which Sr. More personal details he has not divulged, such "confessions" appearing to him both absurd and a profanation. But there is a key of which those who are interested in the life and character of the novelist may avail themselves, without violating his reserve.

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This key he gives us himself in a sentence which vindicates the personality of all art, "subjective" or "objective," realistic or romantic. Beside these he has written the following critical works: Los Oradores del Ateneo1 vol.

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In fact, Mr. Fitzmaurice Kelly declares that "he has a fair claim to rank as the chief of the modern naturalistic school. He chooses his material throughout from contemporary Spanish life. His work is based on an exactness of observation that shows him to have thoroughly studied the milieux which he describes. His tertuliasaristocratic or plebeian, the envies and vanities, the petty intrigues, the fervors of religion, feigned or real, the flirtations and grand passions, all pulsate with life and truth, no less than the setting of nature with which his characters are so intimately interwoven that it seems as much a part of them as their words and acts.

He is an optimist at heart and believes in the possibility of human nobleness, and so prefers the brighter colors of his palette. Not that his pictures lack in shadow: as a faithful novelist he does not hesitate to describe scenes of gloom and even horror, when they form naturally part of the story; he does so undeterred by any scruple.

Even his baser characters, whose defects are brought out with remorseless justice, are not lacking in all human virtue and not seldom are explained, if not excused, by heredity or the circumstances of their environment. For him tout comprendre, c'est tout pardonner.

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It is with shafts of gentle irony that he transfixes human foibles, an irony softened by the play of a delicate humor which is one of the most potent charms of his work. There has been a steady development in the work of this author. Not so much in style, of which he has shown himself a master almost from the outset of his literary career.

Not so much, either, in ideas, literary or general, though he never repeats himself, and each succeeding work brings to light new treasures of his mind. Rather should we say that his understanding of life has grown more comprehensive and more calm, and that he gives us more and more of his originality and less and less of the phase of literature which he still undoubtedly represents.

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It is a philosophy of sublime morality for its own sake and because immorality is fatal, the philosophy of a man who believes in the sanity of virtue and the wholesomeness of work, and who abhors sin without the hopes and fears inspired by theology. He calls it "an idyll of truth, impregnated with the most chaste tenderness.

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Fernando, the decayed nobleman, the incongruities of whose situation afford full scope to the author's sympathetic humor. Howells finds room for criticism in the final treatment of this character.

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This early criticism is somewhat destructive in trend, but valuable as showing a thorough knowledge of the subjects treated and also "a fineness of touch, a delicacy of irony and a correct taste," [C] which have not abandoned him in his later work. There is no unnecessary expansion of descriptions, nor any useless display of erudition, although on occasion he gives evidence of wide reading. La Fe particularly shows him versed alike in theology and philosophy, nor would it be easy to find a better comprehension of mysticism.

His composition is equally balanced. As a rule, each character, each episode is treated within the limits of its importance. There is neither haste nor a too fond dwelling on detail; if there be a defect, it is on the side of sobriety: we could readily forgive his arresting the course of the story for the sake of a few more descriptions such as that at the end of Chapter VI. This is perhaps natural, seeing his heterodoxy in matters of religion and the conservatism of his countrymen in this respect.

In Spain, as has been stated, his two Andalusian novels have been most popular.

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In England La Espuma and Maximina are best known. Nathan Haskell Dole. This international fame may well be taken as a prophecy of the future. The relative youth of the author allows us to hope for still greater things from his pen. But though his career is not yet closed, and though we lack the perspective of time to enable us to form a final judgment, this much may already be regarded as certain, that the novelist has attained a position in the literature of his country which posterity will recognize and honor.

Es una injusticia.

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Pg 2 Pero este barranco se halla cortado en forma de hoz, y ofrece no pocos tramos y revueltas [2. El mar penetra, al subir, por la oscura garganta engrosando el arroyo. La playa que deja descubierta al bajar no es de arena, sino de guijo.

No hay muelle ni artefacto alguno para abrigar las embarcaciones: los marineros cuando tornan de la pesca se ven precisados a subir sus lanchas a la rastra [2.

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Rodillero es un pueblo de pescadores. En Rodillero, no obstante, nadie se aburre; no hay tiempo para ello. Los habitantes de Rodillero son profundamente religiosos; el peligro constante en que viven les mueve a poner el pensamiento y la esperanza en Dios. Es inteligente, de genio vivo y emprendedor, astuta y habilidosa, [4.

Esto en cuanto a lo moral.

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Uno de ellos se me ofrece que contar: es la historia sencilla de un pobre marinero. Eran las dos de la tarde. Los pueblecillos costaneros brillaban como puntos blancos en el fondo de las ensenadas.

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Reinaba silencio, el silencio solemne, infinito, de la mar en calma.

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